Oedipus at Colonus is nearly universally looked up as the supreme achievement in the Oedipus trilogy composed by legendary Greek playwright Sophocles. The first hurdle, of course, is actually finding the opportunity to see Oedipus at Colonus being performed on a stage or screen or anywhere. We are thankful for their contributions and encourage you to make your own.Īnyone who labors under the delusion that Karl Marx has nothing worthwhile to stay about the state of economics in the real world need only look at the sad situation that is Oedipus at Colonus on stage. No man will everīe rooted from the earth as brutally as you.These notes were contributed by members of the GradeSaver community. Now smear us with insults - Creon, myselfĪnd every word I've said. Will level you with yourself and all your children. The lusty voyage home to the fatal harbor!Īnd a crowd of other horrors you'd never dream

The wedding-march that sang you into your halls, That day you learn the truth about your marriage,

What rock of Cithaeron won't scream back in echo? You'll scream aloud - what haven won't reverberate? Treading you down in terror, darkness shrouding Will whip you from this land one day, their footfall The dead below the earth and the living here above,Īnd the double lash of your mother and your father's curse You are the scourge of your own flesh and blood, Who are your parents? Do you know? All unknowing To the house you live in, those you live with. You're blind to the corruption in your life, You mock my blindness? Let me tell you this. I don't need Creon to speak for me in public. “You are the king no doubt, but in one respect,Īt least, I am your equal: the right to reply. The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone In fact, we expect to be shown that he is in some way responsible for what happens to him.” Edgar Hoover, they are “raw files.” But it is the function of great art to purge and give meaning to human suffering, and so we expect that if the hero is indeed crushed by a bulldozer in Act II there will be some reason for it, and not just some reason but a good one, one which makes sense in terms of the hero’s personality and action. They are crude, undigested, unpurged bits of reality-to draw a metaphor from the late J. Even though life is often like this-the absconding cashier on his way to Nicaragua is killed in a collision at the airport, the prominent statesman dies of a stroke in the midst of the negotiations he has spent years to bring about, the young lovers are drowned in a boating accident the day before their marriage-such events, the warp and woof of everyday life, seem irrelevant, meaningless. “If through no fault of his own the hero is crushed by a bulldozer in Act II, we are not impressed.

Oedipus at colonus